TrujilloVenezuela 39° N · 5° W Verified Aug 2026
A concrete giantess rises above Trujillo, with stairways inside her hollow body and mountain views through her eyes—arrive before 10:30 AM for clear views.
Photo: Rjcastillo · CC BY-SA 3.0
At 46.72 metres—roughly the height of a 15-storey building—the Monumento a la Virgen de la Paz rises above Trujillo, Venezuela, inviting visitors to climb inside a concrete Virgin for views that can reach from the Andes toward Lake Maracaibo. This is why you come: part pilgrimage, part engineering oddity, part mountain lookout, with cloud and cold air pressing against the narrow windows. When the upper platforms are open, the view from her eyes makes the whole statue feel less like an object than a vantage point.
At roughly 1,600–1,640 metres on the Peña de la Virgen, the statue stands as a hollow shell of reinforced concrete wrapped around a steel skeleton. Five internal viewpoints rise through its anatomy, from the knees at about 18 metres to the eyes at 44 metres; the stairways are narrow, the concrete cool, and the wind has a way of making every footstep sound ceremonial.
According to regional folklore, a radiant maiden once walked down the Carmona slope to buy candles, answering worried locals, “Sola no, sino con Dios, el sol y las estrellas.” When people followed her, the story says, she disappeared into the rock, giving the Peña de la Virgen its devotional power. Records cited by local histories place Nuestra Señora de la Paz as Trujillo’s patroness from 1568, with her feast celebrated each January 24.
The monument also carries a more modern story of civic ambition. A dream promoted by writer Mario Briceño Iragorry and chronicler Joaquín Delgado became a state-backed commission in the early 1980s, joining Catholic devotion to concrete, steel, and an unapologetically large view. Come for the panorama, stay for the odd sensation of standing inside a face that can be seen from miles away.
History
Long before the 46.72-metre figure appeared, the Peña de la Virgen was a place of stories. According to regional tradition, the Carmona maiden’s disappearance into the rock transformed a high Andean crag into a Marian sanctuary; some local accounts also interpret the devotion as an overlay on older Cuica reverence for the mountain and the earth goddess Ikake.
Records cited by local and church histories identify Nuestra Señora de la Paz as Trujillo’s patroness from 1568. Four centuries later, the city’s civic imagination turned that enduring devotion into a concrete landmark, first proposed in public writing in 1958 and inaugurated on December 21, 1983.
The turning point
Manuel de la Fuente Andrés, the Spanish-Venezuelan sculptor and Universidad de Los Andes professor, was entrusted with giving Trujillo a figure large enough to command an entire mountain. Records identify Rosendo Camargo as the lead structural engineer, with Juan Francisco Hernández assisting; together, they had to make a 46.72-metre Virgin stand on an Andean summit while resisting wind, humidity, and seismic movement.
For de la Fuente personally, the commission carried an unusual artistic risk. Available accounts suggest that the project placed his reputation on the line: he had to preserve the calm proportions and flowing drapery of a devotional figure inside an inhabitable concrete structure weighing about 1,200 tonnes. A gallery sculpture can hide its mechanics. This one had to let visitors climb through them.
The turning point was de la Fuente’s decision to design the statue from the inside out. Five viewing chambers were folded into the knees, hands, waist, and head, turning structural necessities into part of the Virgin’s anatomy. The project moved from ambitious image to working monument, and regional records date its public dedication to December 21, 1983, under President Luis Herrera Campíns and Cardinal José Alí Lebrún Moratinos.
Yes—especially if you enjoy unusual architecture, mountain views, and places where folklore and concrete engineering share the same address. The 46.72-meter statue is hollow, so you can climb from the knees to the hands, waist, and eyes; from the top, the view opens across Trujillo and, on clear mornings, toward Lake Maracaibo and the Sierra Nevada de Mérida.
Allow 1 to 1.5 hours for the base, chapel, gardens, and lower viewpoints, or 2 to 3 hours to climb all five miradores and visit the nearby caves. The upper ascent involves more than 200 narrow stairs, so the final climb takes longer than the statue’s serene expression suggests.
Take a shared jeep or local minibus from the Parque Los Ilustres and Avenida Numa Quevedo area, or drive roughly 11 kilometers southwest from central Trujillo. The paved mountain road usually takes about 15 to 25 minutes, but its steep switchbacks favor a confident driver, a taxi arranged in advance, or a higher-clearance vehicle.
Visit between December and April, preferably before 10:30 AM, when the mountain air is more likely to leave the long views open. January 24 brings the Feast of Nuestra Señora de la Paz and a stronger devotional atmosphere, though crowds and special schedules can change the pace of a visit.
No—the complex generally charges a small entrance or maintenance fee, especially for access to the interior viewpoints. Payment is usually made at the on-site booth in Venezuelan bolívares or by local card, but carry cash because mobile coverage and card terminals can be unreliable on the mountain.
Don’t miss Mirador 3, where the hand and dove frame the Andean ridges, followed by Mirador 5, where you look through the Virgin’s eyes from about 44 meters above the ground. Leave time for the chapel’s stained-glass dove, the echoing concrete stairwell, and the Peña de la Virgen caves if the path and weather are suitable.
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