Paris, on screen.
The real streets behind Emily in Paris.

The apartment exterior sits on a lived-in square. Enjoy the view from the pavement and leave doorways clear for residents.

The restaurant exterior becomes Gabriel’s workplace on screen. In everyday Paris it is a working restaurant, with its own service and reservations.

This bakery is a familiar stop in Emily’s on-screen morning routine. Join the queue if you want to buy something; photographs should not interrupt service.

A neighborhood café becomes a meeting place on screen. Take in the small square without treating the terrace as a film set.

The broad square shifts the scale from everyday neighborhood life to monumental Paris. This stop is outdoors; entering the Panthéon is a separate visit.

The famous Saint-Germain café terraces sit beside a busy boulevard. Look for the contrast between the screen’s intimate moments and the city moving around them.

An office exterior on screen, a real square beside the Palais-Royal in Paris. No access to the building is part of this walk.

The garden and striped columns invite a pause between scenes. Keep the passage clear and check posted garden opening times.

The opera house supplies a grand change of scenery. The exterior is this stop; a performance or interior visit needs separate planning.

The bridge is an optional detour, not a shortcut to Montmartre. Decide whether the extra distance fits your day before leaving the opera area.

This small Montmartre garden is a gentle start to the hilltop chapter. The wall is a neighborhood landmark beyond its television associations.

A quiet square honors Dalida. Take your photographs respectfully and let the memorial be more than a backdrop.

The curve of Rue de l’Abreuvoir leads past La Maison Rose. It is a residential street and working restaurant: no doorway posing or blocked pavements.

The final climb opens onto views over Paris. Stairs, slopes and crowds matter here; choose an access route that suits you.